Friday, 5 May 2017
Sunday, 2 April 2017
|Another set of three little vases|
Black slip in carved lines, transparent and blue (neck) glossy glazes
|Three little plates|
Single dips in pink / grey and pearly glazes at an angle
|My first attempt at the temperamental |
green matte glaze
|Mug with barely visible white slip pattern |
under a transparent glossy glaze
|It fits really nicely in my hands!|
Shame the inside is not food safe..............
|Moon bowls with a spout|
Here again, not sure this glaze is food safe...
Sunday, 5 March 2017
When I was in Australia last winter, Jessica got me on her pottery wheel and I loved it! A year later now, we've happened to move near a workshop / studio for artists and I have started a pottery class at Freya's Clay Club there. I thoroughly enjoy it! On top of that, Freya (our teacher) is on the Great Pottery Throw Down (on now on BBC 2)!
It is really rewarding to see how quickly one can progress from one pot to another. On my first block of 4 sessions, I've done bowls; the first ones were small and thick, the later thinner and wider; and small vases with constricted necks.
First step is throwing the clay on the wheel and shape it to whatever you are able to make. Then the following week, the clay has hardened a bit and we turn it on the wheel again, this time refining the shape. Then it is fired at 1000°C to become hard as a stone. We can then apply glaze on it, by dipping them in the bucket of liquid glaze. Then the pots are fired again to vitrify and fuse the glazing to the ceramic pot. Interestingly, the glazes are not the same colour at all before and after firing, so it's always a surprise to see how the pots end up looking in the end!
|The studio with the wheels to turn the clay|
|My pots, fresh from being shaped|
|My firsts vases; smaller is easier!|
|Thick edged bowl; thicker is easier!|
Tuesday, 28 February 2017
Monday, 5 December 2016
These days, I have been very much attracted to the Himmeli structures flourishing on the web. I love their geometric shapes, the symmetries within, the feeling of lightness...
Once the structure is chosen, lengths and numbers of each part are calculated to make the best use of the tubings. I read that the tedious bit is to cut the brass tubings into those pre-calculated lengths. Indeed, the little cutting tool only makes an indent if you turn the tubing along its cutting round blade. It is especially tricky as the tubing is quite slippery and difficult to rotate. Once a small indent is made and you can rotate almost freely, you need to tighten the device and start again 3 to 4 times until the indent (making a ring around the tubing) is deep enough that by bending the tube it snaps cleanly. Fortunately for me I have a drill and by fitting the tubing in, I can just hold the tiny cutter with two fingers and voilà! A really easy and effortless way to cut all those tubings!
|The tubing cutter in position on the tubing|
|The brass tubing attached to the drill|
|The indent after 4 tightenings of the screw|
|And it just snaps easily|
|All the same size - what a happy sight !|
|The polymer clay dishes|
I used the structure detailed by Mandi on her blog VintageRevivals.
The polymer clay tiny dish is a straight copy from Laura's blog ABeautifulMess.